The year Nate Daviau spent falling apart became his debut EP
Recorded during Daviau's first year of sobriety, The Apology's title track was written before recovery, walking through the addiction cycle in real time rather than looking back on it.
Recorded during Daviau's first year of sobriety, The Apology's title track was written before recovery, walking through the addiction cycle in real time rather than looking back on it.
Two acclaimed singles down, The Healing Power of Horses release their first EP and confirm a run of summer and autumn shows.
Jo Geller works part-time at Alexandra Palace ice rink and is releasing her debut EP on Chess Club Records on 7th August. 'Weight', filmed in Wales by her sister, is the final single.
Phoebe Bridgers performed 'Lost Boy' on The Tonight Show twice in one week: first with a band of children, then acoustically with veteran musicians. The acoustic version is out now and 300 midnight listening parties follow on 13th August.
Man/Woman/Chainsaw have shared 'Something Else To Give', the closing track of their debut album Cannonball, out 7th August via Fiction Records,...
Asha Jefferies' album treats desire as a path to self-knowledge rather than a form of lack. 'Cool Guy' is what that philosophy sounds like when the longing is not returned.
Overmono's Prophet analogue synthesiser, a voice note from The Fens and 80 attempts to get it right: 'Knight In Shining Prada' is the centrepiece of Pure Devotion and a tribute that earns every second of that care.
Sharp Pins' teenage cassette debut gets its first vinyl release in September. Kai Slater plays King Tut's, The Deaf Institute and the ICA this August. 'Saturday Sun' bridges the two moments.
Mastodon lost Brent Hinds in 2025 and Brann Dailor lost his mother. Marrow Deep, their ninth album and first without Hinds, addresses both losses directly, with the Three Fates of Greek mythology as its conceptual framework. It arrives on 28th August.
'Crawling Out My Skin' is about appreciating life when it is just ordinary and stable. Sam Tompkins recorded it outside in a garden at the end of a writing camp. It is one of his best songs.
Frost Children fled a stalker in New York, flew to Tokyo and made six songs in a single sleepless sitting. Tweaker Poem, three minutes long and out today, is one of the most emotionally charged releases of the year.
TV Priest have never written a love song before. 'Love Song (A Good Kind of Weapon)' is their first, and it arrives as the most emotionally open and most immediately beautiful thing they have released.
'Ditch' was sent from above, with the windows all the way down and Loren Humphrey at the wheel. Willie J Healey has described his new EP as his most Neil yet. Both of these descriptions make complete sense.
The Lemonheads, Teenage Fanclub, Dinosaur Jr. and the darker side of Los Angeles: Jawdropped's debut album is an immediately loveable piece of alt-country-adjacent indie rock from a band with nothing to lose and everything to say.
Three weeks before Affirmations, Really Good Time release the most warmly human thing they have ever made. Basist Jacque le Coque takes lead vocals for the first time. Tell your friends you love them.
A Brooklyn teenager with a Newport Folk Festival debut and a single that sounds like it has been distilled from years of patience: Belle Blue is one to watch, and 'Wash' makes that case plainly.
Ezra Collective heard a steel pan line at a Hackney youth club, recorded it on a phone and built a summer anthem around it. 'Well Organised', featuring Lila Iké and interpolating Max Romeo, is their best single in years.
One year on from Cardiff, Oasis have shared the first teaser for their reunion documentary. Don't Look Back In Anger opens in IMAX on 11th September and features the brothers' first joint interview in over 20 years.
IDLES, Amyl and the Sniffers and Interpol on the same bill as Deftones, Mannequin Pussy and JPEGMAFIA: All Points East Outbreak London is one of the summer's most essential days out.
Jorja Smith made her third album in three sessions after visiting P2J's studio and finding two years of ideas waiting. What Are The Odds, a dancefloor record spanning UK garage, grime and Afro house, arrives 21st August with Wizkid on the lead single.
Kismet is Matilda Mann's counterpart to the upheaval of her debut: breezy, major-key and steeped in the particular joy of early love. 'Make Up' is the most accessible entry point yet.
Adult DVD's debut album was inspired, in part, by imagining going completely nuts in a Lidl. 'Cowboy On Aisle 3' is the result and it is one of the year's most immediately thrilling singles.
Synth lines, an urgent vocal and lyrics about wanting to crawl all over someone: 'Love Bombs' is Bloc Party doing exactly what they do best.
Walton Goggins has played a cult leader, a US Marshal and now a Strokes video co-star. Reality Awaits arrives 24th July, and the campaign around it just got considerably more interesting.
Mary In The Junkyard's debut album arrives this Friday and the in-store tour to celebrate it is already mostly sold out. 'Blood' is the final preview, built from spider-like guitar and the feeling of watching someone fall in love.
Kasabian headline Finsbury Park in nine days, Leeds Festival in August and release their ninth album in July. 'Superpowers' suggests Act III is worth the anticipation.
Blondshell is done overexplaining. Violins, her third album, arrives on 25th September and 'Violins' is the most anthemic thing she has released, about healing slowly and refusing to be rushed.
Violet Grohl supports the European dates. Hayley Williams appears on the album. Beabadoobee is playing The O2. The fourth album is going to be her biggest year yet.
Chelsea Wolfe is teasing a ninth studio album with two of the most affecting songs she has ever released. If you are not already familiar, 'Death Is Not The End' is the place to start.
Maya Ongaku built their own studio near a seaside shrine, constructed an album around the concept of Nothing Space and made one of the year's most quietly extraordinary records. Nothing Space Music arrives on 7th August.