Overmono turn a sold-out Old Royal Naval College show into a full live film
The film documents Overmono's sold-out show at London's Old Royal Naval College on August 7th, the release day of their second album, Pure Devotion.
The film documents Overmono's sold-out show at London's Old Royal Naval College on August 7th, the release day of their second album, Pure Devotion.
'Just So You Know' is the third new song TV Priest have shared this year, ahead of new album Cartoons, out November 6th.
The '143' EP mixes 4-track home recordings with sessions in New York alongside producer Loren Humphrey, who also made Healey's 2023 album, Bunny.
The video was directed by Jaxon Whittington and filmed by vocalist Zachary Cole Smith's son, Roy, and his friend Julian.
'Sacrosanct' is out January 29th, completing a trilogy alongside Walk Between Worlds and Direction of the Heart.
More Time was recorded in London, mixed in Los Angeles by Robert Adam Stevenson, and mastered at Abbey Road Studios.
'Fangs' is out October 23rd, the first album to feature new members Theo Spark and Andrei Martynchyk.
'Speak Softly, Son' is out January 22nd, produced by Kev Jones of Wunderhorse in Crouch End, London.
Sombr plays The O2 Arena in London on June 22nd 2027, his biggest UK headline show to date.
'What's in Between' is out October 30th via Atlantic Records, produced across continents with Peter Katis, Ewan Pearson and Finn Billingham.
'Clothes Still On' is the third single from Premature Nostalgia, out October 2nd via The Green Dream Machine / Absolute.
'Before the World Blows: The Abi and Alan Experiment' is out this Friday, recorded over 18 months between Dallas and Los Angeles.
'Los Bitchos & Friends Vol 1' is out November 13th via GREAT! Records in association with !K7 Music.
Ahead of debut album Something Real, out August 28th, and a run of festival dates building toward Boardmasters and a run of Japanese shows, The Guest List's Cai Alty talks character-based songwriting, why climate change needed a dystopian frame rather than statistics, and why he stays off social media while writing.
The song premiered live on BBC Radio 2's Breakfast Show, with MOJO calling it "a triple threat protest song that hits the sweet spot."
'Soda' is the second single from Bones Ate Arfa's upcoming third EP, due later this year.
Tame Impala play Manchester's Co-op Live on May 28th, then two nights at The O2 in London on June 1st and 2nd.
'Never Enough: Versions' features 22 artists reworking tracks from Turnstile's 2025 breakout album, out August 28th.
'I Would Die' is the latest preview of Dead Horse's debut album, Caught to Nonsense, out September 11th via Sister 9 Records.
Speaking from his Hamburg studio, the producer discusses performing without a laptop, the freedom of Fusion Festival, and why algorithms are disrupting music culture.
'Memories' is the latest preview of beabadoobee's upcoming album, Pylon, out September 18th.
'Figure 8' is produced by Dan Carey, the Speedy Wunderground labelhead behind records for Fontaines D.C. and Kae Tempest.
'A Dream Like This' reimagines six tracks from PVA's second album, No More Like This, out October 2nd.
'Things Take Time' is the band's first new music in four years, following sold-out debut headline shows at the Sydney Opera House and Anita's Theatre.
The 'Sensational' video uses 3,000 paper cutouts of the band, animated by director Jess Dunn.
The duo, Laurie Hulme and Lucy Ridges, have described the song as being about the apathy that comes with constant arguments, whether political, online or otherwise.
'Beam Cottage' takes its name from the Flynn siblings' childhood home, and includes new songs, childhood cover favourites and reworked back catalogue tracks.
Surrounded by the extraordinary setting of Greenwich’s Old Royal Naval College, Moby pays homage to UK culture – and demonstrates why, in many ways, he’s an underappreciated force.
Opus Kink's debut took roughly eight years to finish. The cover looks like a crime scene; almost nothing inside sounds like it's mourning anything.
Each track on the EP maps a different chapter of Theodor's mid-to-late twenties, from joy to uncertainty to transformation.