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The motive and the cue poster

London Theatre Guide for April

April - the best month to check out meteor showers, astrology fans - is finally here, banishing the winter chills. So why not celebrate the equitability of indoor and outdoor temperatures with a trip to the hottest places in London: the interiors of West End theatres? Plenty of runs are coming to an end this month, so for your last chance to see The Unfriend, Medea or The Way Old Friends Do, check out the details below:

Laurence Guy interview

The Shortlist: Laurence Guy

With an output that reflects both hedonism and its aftermath in equal measure, Laurence Guy has risen the ranks through NTS slots, Rinse FM residencies and sold-out shows at Fabric. His forthcoming album Living Like There’s No Tomorrow, But Killing Yourself In The Process, set for release on 7 July via his own label Accidental Pieces, typifies a producer at the peak of their powers.

Nightbus

whynow is the time to listen to… Nightbus

With a new single out today, ‘Mirrors’, via So Young Records, we speak to Nightbus about how they formed, house parties, and balancing their ambitions for world domination with simply doing what they love – as part of our series on emerging artists.

Luke Combs

Gettin’ Old review | Luke Combs remains grounded on fourth album

★★★★☆
When you hear that country music’s biggest star – who also happens to be only 33, scandal free, happily married and a doting soon to be father-of-two – is going to release an 18-track album called Gettin’ Old there is, naturally, a sense of trepidation. The risk that Luke Combs’ new record had to descend into one big saccharine mass of sentimentality was high, to put it lightly.

Depeche Mode

Memento Mori review | Middle-of-the-road Depeche Mode

★★★☆☆
Depeche Mode have always battled with existentialism through Dave Gahan’s ominous baritone and gothic synths that blurred ecstasy and agony. But now, Memento Mori being their first album without longtime keyboardist Andy Fletcher (who died suddenly last year aged 60) their melancholy is etched with an added air of mourning.

Loyle Carner

‘Everything we do is about elevating the music’ | How to build a Loyle Carner show

Loyle Carner’s latest album Hugo isn’t so much a concept album, as one that revolves more heavily than most around themes plucked personally and profoundly from the artist’s own life. Named after the number plate emblazoned on his dad’s car – in which Loyle Carner (aka Ben Coyle-Larner) learned to drive and, more importantly, forgive his dad during their driving lesson – there’s a physical, cinematic quality to the album as a whole.