Death in the Business of Whaling review | Searows once again delivers beauty, exhaustion, and something hard to escape
Searows returns with an album that offers little relief, but plenty to linger on, if you are willing to sit with its sadness.
Searows returns with an album that offers little relief, but plenty to linger on, if you are willing to sit with its sadness.
PVA’s second album leans into sensuality, rhythm, and physicality, but not every idea lands cleanly along the way.
On Secret Love, Dry Cleaning double down on awkwardness and restraint, delivering an album full of ideas that does not always hold together.
Nearly two decades on from Men’s Needs, The Cribs return with Selling A Vibe, an album that cuts through scenes and surfaces to reconnect with urgency, class, and brotherhood.
South African house maestro Black Coffee opens Labyrinth’s bold new venture at the Old Royal Naval College, where deep grooves meet deep history. Surrounded by majestic architecture along the Thames, electronic music finds an unlikely – and inspired – new home.
Joe Keery leans into limbo with The Crux, a psychedelic and reflective album that blurs fiction and self, nostalgia and futurism.
The new Perfume Genius album shows restraint, intimacy, and moments of heart-wrenching clarity.
Brian D’Addario of The Lemon Twigs steps out solo with Till The Morning, a tender, subtly political and beautifully crafted album blending baroque pop, folk and jangly 60s romanticism with moments of emotional gravity.
Kelly Lee Owens transforms Troxy into a trance-fuelled dreamscape, balancing euphoria and intimacy in a performance that proves her status as a singular force in electronic music.
Michael Kiwanuka’s stunning Eventim Apollo performance reaffirmed his status as a true modern classic, delivering an intimate, soulful set that felt as timeless as the music itself.
Joy Crookes cut a figure of elegance at Islington Assembly Hall, as she reeled off new tracks from her soon-to-be announced album for BRITs Week’s charitable run of shows in support of War Child.
Heartworms crafts a debut of gothic grandeur with Glutton For Punishment, a stunning mix of eerie synths, brooding vocals, and spellbinding post-punk anthems.
Mac Miller’s second posthumous album Balloonerism is full of introspection and beautiful production. If it is the final album from his estate, it’s a special way to let his music rest.
Rain, distant whispers, and soft melodies define Saint Etienne’s The Night, a soothing album that lingers long after it ends.
Linkin Park re-emerge with From Zero, their eighth studio album, embracing past and future with new vocal powerhouse Emily Armstrong and anthems for their 2025 tour.
If you missed Amyl and the Sniffers in Birmingham last night, you missed a wild one. The Aussie four-piece slammed into the stage like a shot of...
Robert Smith and The Cure return with Songs of a Lost World, a deeply moving record that immerses listeners in timeless themes of love, loss, and defiance.
The Libertines wow a sold-out Liverpool crowd with a setlist mixing fan favourites and new tracks from All Quiet on the Eastern Esplanade.
On SABLE, Justin Vernon crafts an intimate portrait of vulnerability and redemption through Bon Iver’s signature minimalist style.
3AM (La La La) is Confidence Man’s invitation to a hypercharged rave world. Find out why the Aussie band is still the life of the party in our review.
Smitten by Pale Waves has a charming, nostalgic vibe, but its lyrical immaturity holds it back from being truly standout.
Ólafur Arnalds and Janus Rasmussen’s beatific side-project enamours East London with a meditative midweek rave.
In Waves is an immersive experience, fusing house, garage, and experimental sounds in Jamie xx's most personal work yet.
Jazz Cafe Festival 2024 saw artists like Moonchild Sanelly and Earl Sweatshirt bringing feelgood global vibes to south London’s Burgess Park. A soulful end to the summer festival scene.
The Lemon Twigs brought their nostalgic, genre-spanning brilliance to Electric Brixton, with highlights from their latest album and a Beach Boys classic.
Even several significant lineup setbacks can’t dispel End Of The Road's uniquely inclusive and inquisitive atmosphere: it’s a musical festival like no other.
New Order revives the Haçienda spirit at Whythenshawe Park with a night of ethereal synth-pop and Madchester nostalgia.
From epic DJ sets to iconic bands, Lost Village 2024 delivered an unforgettable weekend of music, creativity, and immersive experiences in the heart of Lincolnshire.
Catfish And The Bottlemen’s return to Reading Festival was marred by a lack of energy and technical issues, leaving their headline set feeling uninspired and overshadowed by better performances.
At Reading Festival, Lana Del Rey delivered a mesmerizing set filled with fantasy and tenderness, though technical issues and a shortened encore dulled the impact of her headline performance.