Sound City 2024 | A bank holiday bash for the buzziest new bands
Liverpool’s Sound City returned this year with its typically impressive panoply of emerging artists. Here’s our review.
Liverpool’s Sound City returned this year with its typically impressive panoply of emerging artists. Here’s our review.
In a stunning live performance at Manchester’s O2 Apollo, Mitski turned her introspective sound into a shared experience of orchestral melancholy and poignant showmanship.
One unforgettable performance of ‘Sad Dream’ has radically solidified why American singer Sky Ferreira remains a cult figure – despite the late arrivals and album delays.
Sega Bodega, known as Salvador Navarrete, returns with 'Dennis', an album that transforms traditional confession into a complex, textured soundscape unlike any other.
Pearl Jam return with Dark Matter, their twelfth studio album, blending their grunge roots with a fresh sound that resonates with both history and future aspirations.
John Squire has got Liam Gallagher singing the blues – and it’s revitalised them both. Here's our review of their Kentish Town Forum gig.
Tigers Blood by Waxahatchee is an observation of the world around Katie Crutchfield, and an ode to her renewed sense of self within it.
After a 12-year hiatus, dance-punks Gossip have grown up - and so has their music, it's just a shame that means they're a bit less energised on new album Real Power.
‘The best Radiohead side project’ does The Smile a disservice on account of the swirling alchemy the cosmic trio conjured at the Brighton Centre.
30 years into their career, The Dandy Warhols embrace a darker, brooding edge on 'Rockmaker', proving the old adage wrong with every psychedelic note.
Liam Gallagher and John Squire's collaboration surpasses high expectations, mixing Madchester vibes with psychedelic rock and blues in a stunning debut LP.
Yard Act leave post-punk behind, chasing dancefloor euphoria in 'Where's My Utopia?', mixing Britpop with funk and self-aware humour in their second album.