Automotion, the energetic London quartet, just released their latest EP Dissolve. They’re celebrating with a launch show tonight at The Lexington, London, so expect a night packed with live energy and fresh tracks.
The EP Dissolve, produced and mixed by Patrick James Fitzroy (whoโs worked with PVA, Sorry, and Katy J Pearson), showcases Automotion’s evolution, thanks to years of collaboration and experimenting with their sound. This EP follows their creative instincts, resulting in a dynamic and unpredictable collection of tracks.
READ MORE: Automotion announce new EP via single โLost in the Spinal Labyrinthโ
Bassist Finton Eatwell-Hurst shared some behind-the-scenes details: โWe were very brutal and meticulous with the writing. A lot didn’t make it off the cutting board, and some of the finished songs are almost unrecognisable from where we started. Dissolve was almost entirely live-tracked at Konk Studios, recording live as a band gave us the freedom to tempo bend, which would have been almost impossible with individual tracking. Our producer, Patrick Fitzroy, was amazing at guiding us through each song and quite the perfectionist, but it never felt like a take was unnecessary.โ
Guitarist and vocalist Jesse Hitchman added, โDissolve is very arpeggio-led and relies heavily on the guitars being locked in, perhaps more than any other EP we have done before. The main thing that sets it apart is the amount of trial and error that went into it. The outtakes are probably ten times the length of this EP because we were so obsessively particular over each chord, drum fill, and arpeggio.โ

Automotion, formed in 2020 by school friends Jesse Hitchman and Lennon Gallagher, with twins Otis and Finton Eatwell-Hurst on drums and bass, have been a staple in the South London live scene. Their sound, influenced by Robert Fripp, Slint, Steve Reich, and The Chemical Brothers, combines melodic arpeggios with heavy riffs.
The new EP Dissolve includes tracks like โLost In The Spinal Labyrinthโ, โSpeaking the Staticโ, โIt Was Over Before It Beganโ, and the title track โDissolveโ. Automotion’s live shows, praised as โferociousโ and โunderground heroes on the South London scene,โ promise to deliver an unforgettable experience.
Related Stories
- Pools of Colour review | Junodream dazzle in dream rock
โ โ โ โ โ Junodreamโs debut album Pools of Colour showcases their songwriting prowess, drawing on influences from Radiohead and Slowdive to craft a unique sound that builds on their early EPs. - Prelude to Ecstacy review | The Last Dinner Party show brilliant potential but are hung up on aesthetics
โ โ โ โ โ The Last Dinner Partyโs debut album Prelude to Ecstacy balances intricate visuals and thematic ambition with moments of raw authenticity. Despite some predictable metaphors, the bandโs potential for brilliance shines through. - Flying Lotus at HERE Outernet review | The masterful beatmaker hypnotises
โ โ โ โ โ Flying Lotus delivered a visually stunning and sonically immersive performance at HERE Outernet. Despite some scheduling issues, the show merged boundary-defying sounds with captivating visuals, showcasing his exceptional talent. - Jungle: โOur new album is a real escape for us โ and it can be the same for everyone elseโ
Jungleโs J Lloyd and Tom McFarland talk about their new album Volcano, their collaborative efforts, and the influence of their DJ sets on their music. The interview also touches on their upcoming tour and the evolution of their sound. - Tom Walker: โI will die for these songs Iโm about to put out โ youโve got to back yourselfโ
Tom Walker opens up about his political song โNumber 10โ, his creative process, and the upcoming release of his second album. He shares the importance of staying true to his artistic vision and his excitement for future projects.
Keep up to date with the best in UK music by following us on Instagram: @whynowworld and on Twitter/X: @whynowworld
