Wes Anderson doesn’t make a movie without a plan. The American auteur is famed for a formalist style all of his own. It’s a style that’s inspired TikTok trends and AI trailers alike – shots at 90-degree angles, pastel colours and dry, clipped line delivery. It’s a style built on manufactured precision, actor and camera moves slotting together like the blocks of a cinematic Jenga tower. It’s helpful, the, that Anderson usually knows what he wants before a single setup. “Everybody talks about the animatics,” Anderson’s long-term collaborator Adrien Brody says during the film’s press conference. The ‘animatics’ are like a shot list on steroids. Where most filmmakers are content with storyboards, Anderson, as with most things, goes a step beyond the conventional. A complete animated mock-up of a live-action film, the movie almost seems to be finished before an actor steps foot on the set. “What is odd is he sends you a version of the movie that doesn’t really need you,” newcomer Tom Hanks says of their collaboration. “I called [him] up and said, “Well, I’m in, but I don’t see how you need anybody to do this now.”” It’s a technique Anderson learnt from the world of animation, first stemming from his 2009 stop-motion classic, Fantastic Mr. Fox. “All animated movies […] you make this [animatic], and you work from that. And I realize that there were scenes that I had done that I would’ve completely messed up without it,” the Academy Award -nominated director admits. It’s an exacting standard that doesn’t always translate easily to the set. Jeffrey Wright plays Asteroid City’s resident army colonel in the film. “There’s a moment where my hand touches the holster, flips up the flap, and grips the weapon. That took about 60 takes. Four hours. But I understood why – it was about trying to find a certain cleanliness to the thing that we couldn’t quite achieve.”

Scarlett Johansson in Wes Anderson’s Asteroid City. (Credit: Courtesy of Pop. 87 Productions/Focus Features)

(L to R) Hong Chau stars as Polly and Adrien Brody stars as director Schubert Green. (Credit: Courtesy of Pop. 87 Productions/Focus Features)

Wes Anderson on set. (Credit: Courtesy of Roger Do Minh/Pop. 87 Productions/Focus Features)
READ MORE: Asteroid City review | Wes Anderson at his whimsical best
But few collaborators know Anderson better than Jason Schwartzman. Ever since the duo broke out together in 1998’s Rushmore, they’ve been paired at the cinema-hip, reconvening for The Darjeeling Limited, Fantastic Mr. Fox, Moonrise Kingdom, The Grand Budapest Hotel and Isle of Dogs. So, what keeps Schwartzman coming back? “Over the years, we’ve been through so many different things. It’s fun to come back and to share what you’ve experienced with someone that you know and love. And it’s about going off and having adventures. So, when I read a script like this, it feels like I’m catching up with my friend in a way too.”
Asteroid City will be released in cinemas in the UK and Ireland on 23 June An Asteroid City Exhibition also runs until 8th July at 180 Studios, 180 The Strand, London. Tickets and information available via: https://www.180studios.com/asteroid-city