Fresh from the release of her debut album nou, we speak to Sardinian artist BLUEM about the traditions and folklores of her homeland, her artistic principles, and her love of tarot card reading.
Up next on The Shortlist – our series speaking to DJs and producers, who provide us with the tunes that have defined their lives – we speak to Joyce Muniz.
Still recovering from The Great Escape festival? You’re not alone. London alt-hip-hop trio Frozemode played out five sets across the weekend – as well as enjoyed all the shenanigans the Brighton-held festival has to offer.
With a new EP, Not The Baby, out now, we speak to Louise and Kristin, about how Prima Queen formed as a band, their mammoth touring efforts and their love of service stations – especially new ones.
As part of our series on emerging artists, we speak to Lexie about her new EP, supporting her labelmate Matilda Mann and how her mum analyses her Spotify streams more than anyone else.
Fresh from the release of her new eight-track mixtape, Black Is The New Gold, we speak to British soul singer Brooke Combe.
Tim Gallagher might now be labelmates with Headie One and Bad Boy Chiller Crew, and boast a significant online presence, but he’s more than paid his dues to get there.
With a string of festival appearances set for the summer, where she’ll be playing tracks from her sensational debut album Voice Notes, we speak to acclaimed soul singer Yazmin Lacey.
With her TikTok hit track ‘Little Girl Gone’ out now, we speak to London-based artist CHINCHILLA.
Times have been a bit rough of late. And Aussie-born, London-based musician Harry Marshall is among those feeling the squeeze. His new politically-charged alt-rock track ‘Cost of Living’, out today, takes aim at the present plight.
With their new album A Kiss For The Whole World out now, we speak to Enter Shikari frontman Rou Reynolds about the universal language of music, the making of the record and why he asked to be slapped in the face at a recent gig.
With fast-rising RnB trio FLO currently amid their North American tour, we speak to Amy Bowerman, the creative director for the tour, which kicked-off with a sold-out, smash-hit of a show at HERE at Outernet.
Ahead of tour support slots with boygenius and The National later this year, we speak to indie-rocker Bartees Strange about his second album Farm to Table, his stint as a political speech writer and his ambitions to “instil fear” as an artist.
Following the recent release of their fourth EP, we speak to nine-member K-Pop girl group Kep1er to discuss their favourite TV, dream collaborations and their special bond with their fans.
This goth-pop quartet used Ouija boards and seances to write their new debut album. Matt Mills interviews bassist Benjamin Mainwaring and explores the Welshmen’s obsession with the paranormal, as part of our series on emerging acts.
With their debut album, Plus Ultra, out now we speak to Chappaqua Wrestling’s Jake Mac and Charlie Woods – about their mutual musical love interests, piecing together their band, and why we should get off our bloody phones.
Greg Wetherall sat down with anime master Makoto Shinkai to talk about his latest anime masterpiece, Suzume.
Millions watched comedians Stevie Martin and Lola-Rose Maxwell satirise the modern world over Zoom during lockdown. Now they’ve written a TV show, called screen time, and it’s out today.
With new single ‘You Can Be Mean’ out today – the final release ahead of her forthcoming album All of This Will End – we speak to singer-songwriter Indigo De Souza about the human experience and all its trappings.
The Rossettis provides a fresh look at the pre-Raphaelites and a unique insight into previously unheard working class experiences.
RnB and pop artist Ava Lily invites you to the Sunday Music Club, her latest EP which navigates through sobriety, self-destructive tendencies and finding self-love across five tracks, rounding-off with a live version of ‘Nobody Loves Me Like I Do’ as a showcase of her summersaulting vocals.
As half of soul-pop duo Joseph Lawrence & The Garden, the Ipswich-born Londoner was a rising star signed to a major label. Then he dissolved the band and went solo without any money. Two years later, the musician tells whynow why his upcoming album is worth all the hardship.
With their new album, The Seventh Sun, out now, Emma Wilkes speaks to Bury Tomorrow frontman Dani Winter-Bates about how the Southampton metallers went from the brink of calling it a day to becoming a rejuvenated outfit.
With an output that reflects both hedonism and its aftermath in equal measure, Laurence Guy has risen the ranks through NTS slots, Rinse FM residencies and sold-out shows at Fabric. His forthcoming album Living Like There’s No Tomorrow, But Killing Yourself In The Process, set for release on 7 July via his own label Accidental Pieces, typifies a producer at the peak of their powers.
With a new single out today, ‘Mirrors’, via So Young Records, we speak to Nightbus about how they formed, house parties, and balancing their ambitions for world domination with simply doing what they love – as part of our series on emerging artists.
With his debut EP, Poems To Dance To, out today, we speak to Antony for the next instalment of our series on rising artists that are increasingly demanding people’s attention.
Following his acclaimed 2019 documentary on Liam Gallagher As It Was, director Charlie Lightening turns his attention to Louis Tomlinson.
Ahead of his headline slot at Country to Country festival, commencing today at The O2, Holly Smith speaks to country star Thomas Rhett about the UK’s love for the genre, his rise to the top of the charts and looking ahead to new music.
With their 12th studio album, UK Grim, out today, Sleaford Mods speak to Elizabeth Aubrey about the state of this country’s government, moving on from their row with Idles, and why they’re “a real fucking success story”.
Award-winning filmmaking duo Dylan Southern and Will Lovelace have an esteemed history with capturing the essence of music on film. After working on music videos for the likes of Bjork, Arctic Monkeys and Idles, the pair turned their attention to Blur, with their first music film: 2010’s No Distance Left To Run, which followed the Britpop outfit during their 2009 reunion and tour.
