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Luke Combs

Gettin’ Old review | Luke Combs remains grounded on fourth album

★★★★☆
When you hear that country music’s biggest star – who also happens to be only 33, scandal free, happily married and a doting soon to be father-of-two – is going to release an 18-track album called Gettin’ Old there is, naturally, a sense of trepidation. The risk that Luke Combs’ new record had to descend into one big saccharine mass of sentimentality was high, to put it lightly.

Depeche Mode

Memento Mori review | Middle-of-the-road Depeche Mode

★★★☆☆
Depeche Mode have always battled with existentialism through Dave Gahan’s ominous baritone and gothic synths that blurred ecstasy and agony. But now, Memento Mori being their first album without longtime keyboardist Andy Fletcher (who died suddenly last year aged 60) their melancholy is etched with an added air of mourning.

Loyle Carner

‘Everything we do is about elevating the music’ | How to build a Loyle Carner show

Loyle Carner’s latest album Hugo isn’t so much a concept album, as one that revolves more heavily than most around themes plucked personally and profoundly from the artist’s own life. Named after the number plate emblazoned on his dad’s car – in which Loyle Carner (aka Ben Coyle-Larner) learned to drive and, more importantly, forgive his dad during their driving lesson – there’s a physical, cinematic quality to the album as a whole.

Kamal

So here you are, drowning review | Soft, poignant bedroom pop from precocious Kamal

★★★★☆
By communicating that struggle to combat isolation, manage anxiety, and find a balance between co-dependency and heartbreak, Kamal is connecting with a generation that’s grown up against a uniquely chaotic social backdrop. At the same time, his undeniable pop song-writing ability is likely to take him far beyond the confines of that core following; that’s not what this album exhibits just yet, but so here you are, drowning remains an impressive indicator of what’s to come.